![]() | |
![]() | |
"The clinic" New gay sex club in Amsterdam!!! In our clinic you can get any treatment you need from your favorite doctors. We do: scat (new! Scat massage!) Shit fucking, smearing, piss, puke, fisting, rimming, spitting, wanking, shaving, s&m, bareback, enema, vacuum pumping and many many more. You can also have a piercing from an expert while being ff or being pissed and etc…!!! Anything that you can imagine!!! The clinic will open it gates on 1th off January. We will advertise our exact location soon. We are looking for "doctors": if you think you're hot and want to earn some money or you know people that are interested please give us a call: 06-57794212 shwn. The auditions will start this weekend during 3 days. Straight guys are welcome also as a shit, piss and sperm provider without any sex involved!!! All examination are with personal appointments (you can do a private appointment and a group appointment) Prices will be advertizing soon. Hope to see u soon in the clinic . . . . . . and then nothing was heard of 'm anymore. | |
![]() | |
![]() | |
![]() | |
![]() | |
this one is my fav bare fuck vid of all time and should be watchted by all cum-party-pigs at least once daily | |
![]() | |
![]() | |
|
BLM, Breda Leather and More
New initiative in Breda. Cruising event in a nice venue with all kinds of equipment.
BLM wordt iedere tweede maandag van de maand georganiseerd.
De locatie wordt geblindeerd en omgetoverd tot een relaxte cruisingbar met de mogelijkheid je helemaal te laten gaan.
Verplichte dresscode: Leather, Army / Uniform, Latex, Rubber, Skin, op z'n minst een jock en boots, GEEN jeans!!! | |
![]() | |
In the documentary Jack Smith and the Destruction of Atlantis, the luminary New York artist and filmmaker, interviewed shortly before his death in 1989, provocatively proclaimed that AIDS was the most glamorous way to die. He stated that he intentionally engaged in bareback sex in order to be infected with HIV, asking, "Why should only blacks and Puerto-Ricans be dying of AIDS and not me?" Unlike most of his colleagues who struggled with the stigma and consequences of this awful virus, Jack Smith embraced it, going as far as glorifying it. He happily exchanged his underground celebrity status for a patient's bed in an AIDS care hospice where he was fed three hearty meals a day, up until the day when he could no longer eat. Commenting on Smith's revelation, Thomas Kraemer, an independent researcher from Corvallis, Oregon, writes, "Today, I suspect people would be less charitable if they knew HIV 'gift giving' or 'bug chasing' was involved. However, [Smith] was clearly a pioneer in recognizing that the mythology around the heroic deaths from AIDS in the 1980s was 'glamorous' in an artistic way, if not in a rational way. Today, an AIDS death is no longer glamorous because there is no theatre of the absurd surrounding it. You get put in a standard nursing home to die with heterosexual geriatric patients." Was it a coincidence that AIDS wiped out some of the most radical and experimental artists of the 80s? And was it a coincidence that they were just as radical and experimental in their private lives as in their art, "burning the candle at both ends"? Everyone loves dead artists. Just try to imagine what the contemporary art world would be if Jack Smith, Robert Mapplethorpe, Keith Haring, Paul Thek, Félix González-Torres, Mark Morrisroe, Peter Hujar and David Wojnarowicz -- to name just a few most iconic AIDS casualties -- were still among us. Would they be as radical if they didn't know that their days were numbered? Or would they, too, end up doing Levi's and Gap commercials? How much did their chemical and hormonal imbalances contribute to their radicalism, their vision and practice? And would they be as celebrated now if they hadn't burnt their candles too soon? These were the questions that went through my mind while I spent hours going through the immense Visual AIDS archives and looking for clues and answers in thousands of slides, folder after folder, page after page. I couldn't help using the work of David Wojnarowicz as a starting point for my selection. I read his first Russian translations back as a teenager in Moscow and it was the most powerful and overwhelming introduction to the pain and agony of the AIDS epidemic in Reagan-era America. His work became a major inspiration for my own writings, art and activism. Focusing on lesser known names, I discovered an array of great artists -- both fallen soldiers, such as Robert Blanchon, Jimmy DeSana and Frank Moore, and our contemporaries Rene Capone, David King, Jonathan Leiter, Rogelio Mendoza, Gregory Veney and Frederick Weston. Yes, everyone loves dead artists. But that's exactly why Visual AIDS plays such an important role in archiving and publicizing the work of those who are still among us, living and struggling with the virus that defaced and distorted the entire course and history of contemporary art. | |
![]() | |
A JOINT-STATEMENT FROM BAREBACK BLOGGERS
We, the undersigned bareback bloggers, unify in this statement today. Signed,
Mark Bentson, iBLASTinside
Breeding Jock
Wild Bare Jock
Matt & Dan, Matt & Dan's Sexual Adventures
Mindtrip
StreetMuscle501
Stud for Rent
SDsk8rBoi
CumSlutBoy
Buck Ramsey
Ad | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() pre order | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
| |
![]() | |
to poz 3 filled with vid clips . . . | |